Kooness had the pleasure of interviewing Greek sculptor and ceramicist Vasso Fragkou, an artist whose practice is deeply rooted in the expressive potential of clay. Initially trained in painting during her Fine Arts studies at AKTO, Fragkou was soon captivated by the third dimension, experimenting with materials and textures before fully embracing sculpture. Clay, with its pliability and responsiveness, became her chosen medium—one that allows her to translate inspiration from nature, travel, and her own emotional energy into fluid, organic forms. Her works are characterized by flowing lines, curves, and a sense of movement that suggests rhythm and harmony, almost like a dance. From intimate studio creations to monumental public installations in Taiwan and Hong Kong, Fragkou’s sculptures reveal both spontaneity and precision, inviting viewers to connect with the emotions embedded in each piece. In this exclusive conversation with Kooness, she reflects on her creative journey, the influences that shaped her artistic vision, and the joy of seeing her sculptures resonate with people around the world.

Kooness: When did you first start working with sculpture or ceramics, and what drew you to this form of art?

Vasso Fragkou: My decision to enter the sculptural field came during my Fine Arts studies in AKTO. I started with painting on canvas, but I was always fascinated by the third dimension. I began adding materials and fabrics to the surface, which gave my work a different feeling. From there, I wanted to go further, and through developing my sculptural pieces, I entered the field of ceramics. I tried many materials, but clay was the one that intrigued me the most. It is so pliable that once you get to know it, it inevitably draws you in.

K: Can you share the main influences or inspirations that guide your creative process?

VF: I travel a lot, I observe nature and its rhythm, and I absorb those emotions, channeling them through clay into organic forms. My inspiration comes mainly from nature, but also from many different sources. My love for curves and the absence of sharp lines reflects my character and how I see the world. I create these forms because I want to see in real space the images I carry in my mind, and to share them with others.

K: If you had to describe your artistic style or approach in just a few sentences, what would you say?

VF: I create abstract flowing forms that suggest movement, inner rhythm, and emotion. Through clay I give shape to my energy and intensity, creating sculptures that move harmoniously, almost like dancing. My process holds two extremes: first, I let my emotions guide me completely when shaping the clay, and then I take full control to finish and complete the work.

K: Could you walk us through your creative process—from the first sketch or idea to the finished piece?

VF: Every sculpture is a challenge with myself. I usually start with no plan, just a desire that shows me the way. The anticipation of seeing if the finished piece will surprise me gives meaning to my work. Inspired by organic forms, I give great importance to light and shadow, since they become part of the sculpture.

K: What part of working with clay and sculpting do you find most rewarding or fulfilling?

VF: The freedom to bring an idea to life with my hands. Starting with a simple block of clay and shaping it into something meaningful is deeply satisfying. Clay responds instantly to touch, keeping me present, almost like in meditation. But the most rewarding part is when a sculpture connects with people and sparks emotions.

K: Can you tell us about a recent project you’re particularly proud of, and what made it stand out for you?

VF: I am proud each time someone chooses my work among so many options, it is always meaningful and motivates me to give my very best. I feel happy to collaborate with Kooness, as it has given me the opportunity to share my thoughts with you. Thank you very much for the interview. Looking back, I could not have imagined reaching large-scale projects, and I still keep a childlike enthusiasm for every new opportunity. Recently, two sculptures were selected for Taiwan’s government building, while in Hong Kong I created ten works for a new building, including a monumental outdoor piece. Seeing my forms expand beyond the studio into public spaces is an extraordinary experience, like a dream come true.

K: What advice would you give to someone who is just starting out as a sculptor or ceramist?

VF: It took me seven years to discover what truly intrigued me. I began my journey wanting to become a fashion designer, but along the way, I kept exploring what I loved most, and that is how I found my way into sculpture. I would say it’s very helpful to meet people who share your passion, to exchange ideas and gain new perspectives. Be open to discovering new horizons and always follow what you truly love. As you explore, you will naturally get closer to what you are meant to create.