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Kooness

André Miagui


10 Works exhibited on Kooness

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Works by André Miagui

Zeitgeist part 7

2020

Paintings

57 x 64cm

1270,00 €

Zeitgeist part 8

2021

Paintings

62 x 72cm

1579,00 €

Zeitgeist part 10

2021

Paintings

52 x 62cm

1163,00 €

Zeitgeist part 11

2021

Paintings

92 x 32cm

2330,00 €

Zeitgeist part 13

2021

Paintings

93 x 135cm

2268,00 €

Zeitgeist part 14

2021

Paintings , Mixed Media

67.5 x 77.5cm

1995,00 €

Zeitgeist part 15

2022

Paintings , Mixed Media

76 x 93cm

1796,00 €

Zeitgeist part 17

2022

Paintings , Mixed Media

72.5 x 93cm

1941,00 €

Zeitgeist part 3

2019

Paintings , Mixed Media

103 x 86cm

1579,00 €

Zeitgeist part 9

2021

Paintings , Mixed Media

71 x 81cm

1670,00 €

André began his productions in 1999 and elected pastel chalk as his primary material, with his research focusing on and his works inspired by famous European classical art. Currently engaged in guiding the public through art history and prompting reflection on the use of the internet, Miagui touches on the digital age critically. In the Zeitgeist collection, inspired by the philosopher Hegel’s theme of the “spirit of the time,” the research attempts to modernize the past, presenting moments of mastery from painters of an era without the internet to the audience. To trigger this interpretation, he places a computer motherboard over the eyes, symbolizing a place where the present extends into memories, perceptions, and imagination, projecting them into ways in which the history of visual culture shapes human culture, and within that motherboard lies this universal memory. More intriguingly, in the work “The Birth of Adam,” it is the man who wears the computer motherboard over his eyes, not his creator, and in another piece featuring several wild birds, the birds’ eyes are open as they discover and raise the motherboard as a trophy. The adornment can both dress to protect an individual, granting power and strength, and the excess of ornamentation can strip away personality. The question remains: spirit of the time? This is the time that Miagui prompts us to consider in art, science, technique, and technology throughout all epochs of human civilization, from Antiquity, the Middle Ages, the Renaissance to the dawn of modernity and the digital age, all rooted in the encyclopedic nature of knowledge. Libraries, once immaterialized, are now embodied in digital flows of personal archives, shared across networks.