Identity in the 21st century is projected and distorted through digital mirrors, fragmenting under the demands of external validation. In the performance society, individuals are caught between what they are and what they must show, in a continuous process of adaptation and distortion, reflecting the crisis of the self.
In my practice, painting and image do not seek to be representations, but diagrams of tensions, exploring identity not as something stable, but as a constant process of folds and unfoldings. My works are symptoms of the crisis of the self in a hyperconnected world, where the virtual and the real are intertwined in a constant struggle for legitimation and existence.