Born in 1966, Gergely Szatmári has works that are defined by a thematic, project-based, sociographic visual perception based on classic aesthetics. Their prevailing characteristic is an organizational attitude, but immediate recognition, sudden impressions, and reflections define other parts of the images. Lengthy projects that last for years are what he enjoys the most. As a defining factor, time is a necessity that overwrites the picture’s elapsing nature. It places the images in a larger time frame, which aids it in conveying a story that emphasizes narrative.