Marcos Rodoldo Schmidt
1943
- 2006
Santos, São Paulo, Brazil
Santos, São Paulo, Brazil
34 Works exhibited on Kooness
Represented by
Casagaleria 20 years
, -
US
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Works by Marcos Rodoldo Schmidt
Marcos Rodolfo Schmidt was born on May 18, 1943, in the city of Santos (SP), and died in São Paulo, on October 29, 2006.
His academic training, carried out entirely in the city of São Paulo, includes a degree in Artistic Education from the Faculty of Fine Arts; the Drawing, Painting and Art History courses at Fundação Armando Alvares Penteado; and a degree in Cinema from the School of Communications and Arts at the University of São Paulo.
Marcos’ work began to be exhibited in the 1960s, under the reverberations of Concretism and Neoconcretism, Brazilian movements linked to international constructive trends, and productions that involved new concepts of figuration, exhibited in important exhibitions such as Opinião 65 and Nova Objetividade Brasileira.
Since his participation in the Salão Novos Valores, an event at the X Biennale Internacional de Arte de São Paulo, a critical dialogue with the questions posed by constructive trends was established by Marcos Rodolfo Schmidt.
In Marcos’s career, a substantivity, guiding his cutting and folding operations, is present in works from the 1960s/1970s. The materials chosen for these operations – metal, felt and paper – function as subjects of discourse, that is, the qualities specific to their nature are not omitted.
These cutting and folding operations were updated in chromatic works from the following decades, based on geometric sequences made on superimposed canvases, and the integration of the qualities of architectural spaces into their discourses.
Marcos Rodolfo Schmidt’s academic background, completed entirely in São Paulo, includes a degree in Art Education from the Faculty of Fine Arts; courses in Drawing, Painting, and Art History from the Armando Alvares Penteado Foundation, São Paulo; and partial studies in Cinema from the School of Communications and Arts at the University of São Paulo.
Marcos Rodolfo Schmidt’s artwork began to be exhibited in the second half of the 1960s. His major exhibition participations are as follows:
1966
- Annual Exhibition of Fine Arts, FAAP
- Armando Alvares Penteado Foundation, São Paulo;
1967
- Group Trends Collective Exhibition, MASP
- São Paulo Museum of Art;
1967
- XVI São Paulo Modern Art Salon (bronze medal);
- 1st Young Contemporary Art Exhibition, MAC
- Museum of Contemporary Art, University of São Paulo;
1968
- XVI São Paulo Modern Art Salon (sculpture);
- 1st Young Artist Salon, MAC
- Museum of Contemporary Art, Campinas (SP);
- 1st Modern Art Salon of Santo André (SP) (sculpture);
- 2nd Young Artist Salon, MAC
- Museum of Contemporary Art, Campinas (SP) (sculpture), gold medal;
1969
- 3rd Young Contemporary Art Exhibition, MAC
- Museum of Contemporary Art, University of São Paulo;
- X São Paulo International Art Biennial (participation registered in the general catalog appendix);
1970
- 3rd Young Contemporary Art Exhibition of Campinas;
1972
- São Paulo International Art Biennial Preview, General Room;
- São Paulo International Art Biennial Preview, Special Room, installation;
- 9th Santo André Contemporary Art Salon (SP);
- 6th Contemporary Art Salon, MAC
- Museum of Contemporary Art, University of São Paulo;
1992 - 1993
- Ecological Exhibition against the Farra do Boi, São Paulo; 1991 and 1992
- Sculpture Museum Nucleus, São Paulo;
1997
- Collective at Casper Líbero Cultural Space, São Paulo, 1997
- Collective at Mokiti Okada Foundation, São Paulo
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