1 Works exhibited on Kooness
Represented by
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Born and lives in Buenos Aires Argentina.
Graduated from the Universidad Catolica Argentina with a degree in Law. She studied at the National School of Fine Arts "Prilidiano Pueyrredon", graduating as a teacher of drawing, painting and sculpture in 1989. In 1990 she took a postgraduate course in sculpture at the same institution. She attended several workshops, among others Jorge Gamarra, Julián Acosta and Alberto Delmonte, and since 1992 she has been exhibiting her work in Argentina and abroad. Among others: Museo de Arte Americano, Maldonado Uruguay in 1994, "Constructivist Encounter, Provincial Museum of Fine Arts, Salta, Argentina, 1999 Museo Luis Perloti, Argentina, 2001 Gonzalez Lerena Gallery, Uruguay, 2002 Sala Dalmau, Barcelona, Spain. 2012 in Art Miami with De Sousa Gallery, Evarb Gallery in Houston, USA, in the same year she was invited by the Cité des Arts to a stay and exhibition of her works in Paris. France.
In 2019, she participates in the art fair Almoneda ANTIK PASSION in Madrid Spain. In 2020 she has an exhibition in the gallery Eka & Moore in Madrid Spain. Exhibits her works in the gallery Lagard in Buenos Aires, this year 2022 participates in the art fair in France Lille ART UP. 2023 Today in Art Gallery. Etcetera.
She has received numerous awards in national, provincial and municipal salons.
Her works are in collections in Argentina and abroad.
Silvia Goytia belongs to that category of artists who, gradually moving away from figuration, seek the inexhaustible richness of geometric shapes, the roots of order and the surprises of disorder, two leading elements in life, culture and art of our time. To walk through each of the exhibited works invites one to immerse oneself in broken, multidirectional and agoraphobic spaces, imbricated in each other in a sort of "Perpetuum mobile" that summons at the same time the architectural nightmares of Piranesi's visions and the playful joy of Escher's games. Illusory architectures that achieve in the virtuality of the plane what Zaha Hadid or Coop Himmelblau - popes of postmodern architecture - have tried to conquer in real space. Close to the constructions of Torres García, but above all integrating in a very personal way the angular rhythms of the Russian constructivists with the bright colours of Italian futurism and the festive lights of the Delaunays, these "unknown structures" by Silvia Goytía deserve to be known for the welcome novelty of their construction, appreciated for the remarkable skill with which they have been conceived and realised and enjoyed for the positive energy they transmit.