Untitled
2019Signed
Default
30 x 22.44 in
Year
2019
Medium
Drawings
Reference
6e9dbd43
Mixed media on paper.
2019 ca.
Flavia Martini reviews the relationships between abstraction, ornamental improvisations and floral botanic iconography with a marked lyric vocation and a sensitivity focused on constant dynamism. In their decorated, vibrant compositions, the color, the motif, and the general architecture of the painting are combined in tight precision without losing the poetic quality of the volatile and the subtle tremor of sensuality. Turned at times to an almost baroque overlapping, in others retired to a synthesis of brief gestures, strokes and brushstrokes, Martini proposes to the viewer the joyful uncertainty between artifice and nature.
Buenos Aires, Argentina
Flavia Martini reviews the relationships between abstraction, ornamental improvisations and floral botanic iconography with a marked lyric vocation and a sensitivity focused on constant dynamism. In their decorated, vibrant compositions, the color, the motif, and the general architecture of the painting are combined in tight precision without losing the poetic quality of the volatile and the subtle tremor of sensuality. Turned at times to an almost baroque overlapping, in others retired to a synthesis of brief gestures, strokes and brushstrokes, Martini proposes to the viewer the joyful uncertainty between artifice and nature.
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Address
Buenos Aires, Paraná 1158
OTTO Gallery opens its doors in July 2016 with a joint exhibition with the gallery Jorge Mara - La Ruche by the artist Carlos Arnaiz. It was precisely in the gallery of Jorge Mara where Eugenio Ottolenghi, director of OTTO Galería, started and trained as a gallerist. Within the motivations or ideas that concluded at the opening of OTTO Gallery, was to put ...
