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475 EUR
4.2 5 20

Manhattanhenge

1999

Signed Dated Titled

From the series Grid System

1

Small - No.1 of a Limited Edition of 50

30 x 40 x 0.1 cm
12 x 15.75 x 0.04 in

Year

1999

Reference

57f332d0

William tells the story of this image "In July 1999 I was struck by the way the sun would line up on Manhattan's cross streets in the evening. Thinking there would be an interesting photograph in this I devised a plan to run up 5th Avenue shooting west along the cross streets from 26th to 58th Street as the sun was setting. The whole shoot lasted for 40 minutes. I determined that I would shoot the sun touching the pavement at 43rd St. I shot an Agfa Isolette and wound on only half a frame at a time. It worked out just once, I have tried this again many times. Sometimes you stumble upon a high point in your career and this is one of mine."

Later this phenomenon was popularised by the US astronomer Neil deGrasse Tyson, who coined the name Manhattanhenge.

This is an archival pigment print on a beautiful baryta paper. Limited edition, signed and numbered on the back of the print. It is possible to receive this work framed, please contact us for details.

1970 London, United Kingdom

William was born in London in 1970, his early interest in science and design led to an engineering degree at Exeter University in England before beginning his photographic career in 1991. Initially William trained as portrait photographer assisting luminaries of the London scene such as Patrick Litchfield and Terry O’Neill. Life changed in 1993 when William was encouraged by friends to visit Hong Kong. Deng Xiaoping had proclaimed “To get rich is glorious” and the world’s focus had suddenly swung towards China. Fully intending to continue portrait photography on arriving in Hong Kong, his work took a marked change of direction. The alien visual landscape of Hong Kong reignited a fascination with documenting the immediate environment; the rural English landscapes of his youth now being replaced by the chaotic cityscapes of Asia. Initial simple and straight forward records on film developed into ever more complicated narratives through multiple exposures and contact sheets. William’s interest in cities led him to New York in 1999 with two years spent there developing his approach which today favours pre-visualisation of the image and in-camera manipulations to create a subjective but recognisable record of our time. Numerous exhibitons have been held of William’s work which features in collections in Hong Kong and elsewhere. His most recent show was a solo project at AIPAD in New York. He was also a winner of the Film and Analogue category at the 2019 International Photography Awards.


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William Furniss Photography is an atelier based in Hong Kong. Favouring cityscape works that are a testament to the belief that cities should be vibrant, enjoyable, sustainable places that enable a positive future for us on this planet....

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