The sign plays a fundamental role in understanding this series of works characterized by a quick and decisive stroke. Creation in the studio, compared to street art, is less playful and more reflective: the artist retraces the support and the lines intertwine and overlap.
The "sign" that defines the figure is free and discontinuous. The bodies, although deformed, emerge clearly; the clear separation is indeed achieved both by the stroke and by the contrasting use of black and white.